Four Corners was formed in 1973 by four young filmmakers - Joanna Davis, Mary Pat Leece, Ronald Peck and Wilfried Thust - the name based on the fact that they came from all four corners of the world. They sought to develop independent filmmaking, both at the level of production and what was on the screen, and bring films and filmmaking to those who had previously been excluded from the whole practice. At 113 Roman Road in Bethnal Green, they created a cinema and production workshop, screening films to local audiences.
The organisation was provisionally franchised under the Channel Four Workshop Agreement in the 80s, producing films such as Bred and Born, Hang On A Minute and Is That It? among others. Nighthawks (dir. Ron Peck/Paul Hallam 1979) was Britain’s first gay feature film, and East London filmmaker Ruhul Amin’s A Kind of English, (Channel 4 in 1986), was the first Bangladeshi feature film to be made in Britain.
After Channel 4 funding ceased, Four Corners became a production and training resource, supporting BAFTA and Turner prize nominees alongside local artists and trainees, such as Tacita Dean, Isaac Julien, Jarvis Cocker, Ali Zaidi, Carol Morley, Desperate Optimists and many others.
In 2003 Four Corners was granted 121 Roman Road by Arts Council England to reopen the darkrooms and gallery formerly run by Camerawork, an organisation with a complementary history. A £1m build project to provide a new centre for both film and photography was supported by the Arts Council England, London Development Agency, European Regional Development Fund, Film London and the London Borough of Tower Hamlets. The impressive new centre opened in 2007, providing a flexible and accessible public space including training rooms, darkrooms, edit suites and gallery, all under an environmentally friendly ‘green’ sedum roof.
Four Corners is one of London’s foremost arts organizations for practitioners working in film and photography, and supports a wealth of emergent artistic talent. It offers a dynamic environment where filmmakers, photographers, artists and local people work together. Engaging with many local people who are at the sharp end of social and economic deprivation, the organisation supports over 600 people a year through its specialist programmes, and attracts large audiences for the gallery exhibitions and events.